DANICA BORISAVLJEVIC’S MUSIC LAB / NEW YORK
DANICA BORISAVLJEVIC’S MUSIC LAB / NEW YORK
An interdisciplinary sound laboratory for young creators.
An interdisciplinary sound laboratory for young creators.
An innovative music education initiative for children and adolescents, connecting piano, music technology, composition, electronic music, sound design, producing and live performance. Traditional musicianship becomes a launchpad for contemporary sonic culture.
An innovative music education initiative for children and adolescents, connecting piano, music technology, composition, electronic music, sound design, producing and live performance. Traditional musicianship becomes a launchpad for contemporary sonic culture.
Hands-on lessons in electronic music, producing, film scoring, and piano. Built on classical foundation and shaped for today, this music lab introduces children and adolescents to synthesis, sound exploration, improvisation, electronic music creation, recording, and creative listening in an accessible and artistically rigorous environment. Technology is approached not as an end in itself, but as a way to strengthen musical imagination, attention, and artistic confidence.
Hands-on lessons in electronic music, producing, film scoring, and piano. Built on classical foundation and shaped for today, this music lab introduces children and adolescents to synthesis, sound exploration, improvisation, electronic music creation, recording, and creative listening in an accessible and artistically rigorous environment. Technology is approached not as an end in itself, but as a way to strengthen musical imagination, attention, and artistic confidence.
MUSIC PRODUCTION : make beats, build tracks, and produce your own music
MUSIC PRODUCTION : make beats, build tracks, and produce your own music
FILM AND MEDIA SCORING : compose music for movies, games, and media.
FILM AND MEDIA SCORING : compose music for movies, games, and media.
SOUND DESIGN : explore, shape, and design sounds for any project.
SOUND DESIGN : explore, shape, and design sounds for any project.
EXTENDED PIANO TECHNIQUES : innovative techniques of using entire piano, rooted in contemporary piano practice and cutting-edge sound processing.
EXTENDED PIANO TECHNIQUES : innovative techniques of using entire piano, rooted in contemporary piano practice and cutting-edge sound processing.
LIVE SOUND AND PERFORMANCE : learn and get comfortable performing your music.
LIVE SOUND AND PERFORMANCE : learn and get comfortable performing your music.
RECORDING, AND WORK FLOW : learn your craft at state-of-the-art studio.
RECORDING, AND WORK FLOW : learn your craft at state-of-the-art studio.
ELECTROACOUSTIC FUSION : contemporary blend of ideas and sound, and the confidence to explore.
ELECTROACOUSTIC FUSION : contemporary blend of ideas and sound, and the confidence to explore.
PIANO LESSONS : every student receives piano lessons free of cost taught by a pianist with rigorous conservatory training and 20+ years of teaching experience.
PIANO LESSONS : every student receives piano lessons free of cost taught by a pianist with rigorous conservatory training and 20+ years of teaching experience.
CURIOSITY OF A CHILD IS A SERIOUS INSTRUMENT.

PROJECTS / PERFORMANCE / COLLABORATION
PROJECTS / PERFORMANCE / COLLABORATION
FEATURED INITIATIVE
NYC Keyboard Fest
Founder and Director of an interdisciplinary initiative celebrating contemporary keyboard culture, synthesizers, composition, improvisation, electroacoustic music, and emerging creative technologies.
ARTIST-LED / PUBLIC PROGRAM
ELECTROACOUSTIC PROJECT
Vessels to Motherland
Co-founder, composer, pianist, and sound artist in an electroacoustic project where contemporary piano performance meets ambient electronics, synthesis, sound design, film scoring, and multimedia collaboration.
PIANO / ELECTRONICS / IMAGE
SELECTED PRESS
“Vessels to Motherland convey psychedelic pictures and dreams of distant utopias that ripple across the multiverse…” — Electronic Groove
“A pure blend of archaic, textural sounds and modern electronic and avant-garde aesthetics.” — Queen City Sounds and Art
Bandcamp
Kids on Synths — Vimeo
Vessels to Motherland — Instagram
About:
About:
DANICA BORISAVLJEVIC
MUSIC TECHNOLOGIST · COMPOSER · PIANIST · EDUCATOR
Danica Borisavljevic connects piano, synthesis, sound design, composition, improvisation, and moving image—inviting young musicians into a contemporary practice grounded in curiosity and craft. Born in Belgrade, Serbia and based in New York City she is a composer, pianist, music technologist, film scorer, and educator whose work explores the intersection of acoustic performance, synthesis, sound design, electroacoustic music, and contemporary creative practice. Drawing on conservatory training from Serbia, Russia, and the United States, she bridges classical musicianship with electronic music production, electroacoustic composition, improvisation, film scoring, and contemporary performance practice. Her teaching philosophy centers on helping students develop both technical fluency and artistic identity through composition, listening, experimentation, and creative exploration. Particular expertise in contemporary piano practices that extend the instrument beyond traditional performance through preparations, inside-the-piano techniques, resonance exploration, percussive approaches, and experimental sound production. These sounds are recorded, electronically processed, transformed through synthesis and digital manipulation, and reintroduced into compositional and performance environments, creating a bridge between acoustic and electronic musical worlds. As an active performer, she performed at New England Conservatory Summer Institute for Contemporary Performance Practice , Mannes Festival for Contemporary Performance, NYC Electroacoustic Music Festival , Spectral Summer Workshop at Boston University , Goethe-Institute NYC, DiMenna Center, Gallery MC, Isabella Steward Gardner Museum, Shapeshifter Lab, etc. She is full scholarship recipient for graduate studies in USA, won Most Outstanding Student Performer Grant that granted her guest lecturer and master class instructor at Composition Music Seminar, Costa Rica, and she premiered numerous works of works by American and Serbian composers. Her film scoring won numerous awards, such as Manhattan Film Festival 2024 — Winner, Last of the Living , Cyprus International Film Festival 2023 — Best Music Video, Moonlight and Moving Body Festival 2025 — Most Daring Award, Upside Down.
Danica Borisavljevic connects piano, synthesis, sound design, composition, improvisation, and moving image—inviting young musicians into a contemporary practice grounded in curiosity and craft. Born in Belgrade, Serbia and based in New York City she is a composer, pianist, music technologist, film scorer, and educator whose work explores the intersection of acoustic performance, synthesis, sound design, electroacoustic music, and contemporary creative practice. Drawing on conservatory training from Serbia, Russia, and the United States, she bridges classical musicianship with electronic music production, electroacoustic composition, improvisation, film scoring, and contemporary performance practice. Her teaching philosophy centers on helping students develop both technical fluency and artistic identity through composition, listening, experimentation, and creative exploration. Particular expertise in contemporary piano practices that extend the instrument beyond traditional performance through preparations, inside-the-piano techniques, resonance exploration, percussive approaches, and experimental sound production. These sounds are recorded, electronically processed, transformed through synthesis and digital manipulation, and reintroduced into compositional and performance environments, creating a bridge between acoustic and electronic musical worlds. As an active performer, she performed at New England Conservatory Summer Institute for Contemporary Performance Practice , Mannes Festival for Contemporary Performance, NYC Electroacoustic Music Festival , Spectral Summer Workshop at Boston University , Goethe-Institute NYC, DiMenna Center, Gallery MC, Isabella Steward Gardner Museum, Shapeshifter Lab, etc. She is full scholarship recipient for graduate studies in USA, won Most Outstanding Student Performer Grant that granted her guest lecturer and master class instructor at Composition Music Seminar, Costa Rica, and she premiered numerous works of works by American and Serbian composers. Her film scoring won numerous awards, such as Manhattan Film Festival 2024 — Winner, Last of the Living , Cyprus International Film Festival 2023 — Best Music Video, Moonlight and Moving Body Festival 2025 — Most Daring Award, Upside Down.
EDUCATION / M.A. Piano Performance, Florida International University · B.A. Piano Performance, Academy of Arts Novi Sad · Professional Studies, Junior College in Association with Tchaikovsky Conservatory
EDUCATION / M.A. Piano Performance, Florida International University · B.A. Piano Performance, Academy of Arts Novi Sad · Professional Studies, Junior College in Association with Tchaikovsky Conservatory

Field notes.
Field notes.
WRITING FROM THE PRACTICE
WRITING FROM THE PRACTICE
Teaching practice
Teaching practice
Traditional instruments like a piano or violin have a fixed, pre-defined physical voice. A synthesizer, however, has no inherent identity until you give it one. This makes it an incredibly powerful canvas for personal storytelling. Through the lens of synthesis, self-expression is the ultimate act of sonic self-portrait. You are not just interpreting someone else’s instrument; you are building your own unique acoustic ecosystem from scratch, voltage by voltage. When students manipulate electricity through synthesis (which is less intimidating than it sounds - a.k.a. turning the right knobs!) they transcend the boundaries of standard musical notation. They are no longer limited to just choosing notes on a page. Instead, they are expressing abstract internal states—warmth, isolation, nostalgia, or fury—by physically altering the molecular structure of a sound wave.
Traditional instruments like a piano or violin have a fixed, pre-defined physical voice. A synthesizer, however, has no inherent identity until you give it one. This makes it an incredibly powerful canvas for personal storytelling. Through the lens of synthesis, self-expression is the ultimate act of sonic self-portrait. You are not just interpreting someone else’s instrument; you are building your own unique acoustic ecosystem from scratch, voltage by voltage. When students manipulate electricity through synthesis (which is less intimidating than it sounds - a.k.a. turning the right knobs!) they transcend the boundaries of standard musical notation. They are no longer limited to just choosing notes on a page. Instead, they are expressing abstract internal states—warmth, isolation, nostalgia, or fury—by physically altering the molecular structure of a sound wave.
Sound practice
Sound practice
To view the piano purely through its black and white keys is to look at a locked door and ignore the vast cathedral inside. When we approach the piano creatively and entirely—as a physical monolith of wood, iron, and steel—the instrument transforms from a vehicle for melody into an active, breathing environment for raw sound art. When we introduce modern technology to this physical architecture, we are no longer just recording an acoustic instrument—we are dismantling it at a molecular level and rebuilding it in virtual space. Contact microphones attached directly to the soundboard or the iron frame catch the micro-vibrations of a scraped string ( granular synthesis) Processing this through software breaks the acoustic texture into thousands of microscopic audio "grains." A single, fleeting scrape of copper wire can be stretched, frozen, and scattered into an infinite, glassy cloud of ambient sound.
To view the piano purely through its black and white keys is to look at a locked door and ignore the vast cathedral inside. When we approach the piano creatively and entirely—as a physical monolith of wood, iron, and steel—the instrument transforms from a vehicle for melody into an active, breathing environment for raw sound art. When we introduce modern technology to this physical architecture, we are no longer just recording an acoustic instrument—we are dismantling it at a molecular level and rebuilding it in virtual space. Contact microphones attached directly to the soundboard or the iron frame catch the micro-vibrations of a scraped string ( granular synthesis) Processing this through software breaks the acoustic texture into thousands of microscopic audio "grains." A single, fleeting scrape of copper wire can be stretched, frozen, and scattered into an infinite, glassy cloud of ambient sound.
Synthesis
Synthesis
Analog synthesis takes the fundamental, untamed energy of the universe—electricity—and channels it into emotion. A raw voltage is volatile and piercing, yet through intent and architecture, we shape it. We use filters to dim its blinding glare into a warm, melancholy shadow, and we use envelopes to coax a harsh spike of current into a tender, breathing swell. Every dial on a synthesizer is a physical interface between human emotion and electromagnetic physics. Analog voltage control is the underlying technology where physical electrical changes—specifically variations in voltage—directly determine a synthesizer's pitch, tone, and volume. Instead of computers sending digital code (1s and 0s), analog synthesizers route actual electricity through circuits to change how the instrument behaves.
Analog synthesis takes the fundamental, untamed energy of the universe—electricity—and channels it into emotion. A raw voltage is volatile and piercing, yet through intent and architecture, we shape it. We use filters to dim its blinding glare into a warm, melancholy shadow, and we use envelopes to coax a harsh spike of current into a tender, breathing swell. Every dial on a synthesizer is a physical interface between human emotion and electromagnetic physics. Analog voltage control is the underlying technology where physical electrical changes—specifically variations in voltage—directly determine a synthesizer's pitch, tone, and volume. Instead of computers sending digital code (1s and 0s), analog synthesizers route actual electricity through circuits to change how the instrument behaves.
FOR STUDIOS, SCHOOLS, PARENTS & COLLABORATORS
FOR STUDIOS, SCHOOLS, PARENTS & COLLABORATORS
Let’s make room for the sounds that are still becoming.
Let’s make room for the sounds that are still becoming.
Get in touch to discuss creative music technology programs, private study, and collaborative projects. Let’s turn knobs together in my fully equipped studio ready for practice, creating and recording.
Email: danica.borisavljevic3@gmail.com Phone: 201.931.3347
Get in touch to discuss creative music technology programs, private study, and collaborative projects. Let’s turn knobs together in my fully equipped studio ready for practice, creating and recording.
Email: danica.borisavljevic3@gmail.com Phone: 201.931.3347
SEND A MESSAGE
SEND A MESSAGE
